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Utagawa Kuniyoshi

Ukiyo-e artist
Era: Edo period / 1797–1861 (about 64 years)
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The path they walked

1797

Birth

He is thought to have been born in Nihonbashi, Edo, the son of the dyer Yanagiya Kichiemon (another family tradition gives a different birthplace). He loved drawing from early childhood and is said to have drawn while looking at dye patterns and picture books.

1811

Pupil of Toyokuni

At 14 he became a pupil of the popular ukiyo-e master Utagawa Toyokuni I, who is said to have recognized his talent early. He later studied with Katsukawa Shuntei and others too, absorbing many styles.

1814

Lean years

Around this time he began drawing actor prints and book illustrations, but was overshadowed by the popularity of senior pupils such as Kunisada, and his work hardly sold. A hard period of more than ten years followed.

1827

Warrior prints of the Water Margin

Around this time he issued a series portraying, one by one, the heroes of the Chinese novel Water Margin, and it was a huge hit. Drawing their powerful bodies and tattoos with tremendous force, he came to be called "Kuniyoshi of the warrior prints".

1833

Western-style landscapes

Around this time he studied Western copperplate prints, adopted perspective and shading, and drew the landscape series Famous Places of the Eastern Capital. Showing new ways of rendering sky and water, he proved his talent in landscapes too.

1842

The Tenpō Reforms

Under the Tenpō Reforms, prints of actors and courtesans were banned and publishing was strictly controlled. Kuniyoshi devised humorous caricatures, drawing animals and monsters as if they were people or giving fish human faces, and kept publishing while slipping past the bans.

1843

The earth-spider print

He published a print of Minamoto no Yorimitsu's battle with the earth spider. Rumor had it that the monsters and figures in it mocked the shogunate's policies, and it is said to have sold enormously.

1845

The Old Palace at Sōma

Around this time he drew The Old Palace at Sōma, a triptych in which a gigantic skeleton looms across the whole picture. Its bold composition and accurate bones, thought to be based on Western anatomical drawings, amazed viewers.

1847

Composite pictures

Around this time he drew composite pictures such as one forming a single man's face out of many human bodies, with a title meaning "he looks fierce but is a really nice man". These playful trick pictures are still loved by many today.

1850

Cats and pupils

A great cat lover, he always kept several cats and is said to have painted with a cat tucked inside his kimono. Generous and a natural leader, he drew many pupils such as Tsukioka Yoshitoshi; even Kawanabe Kyōsai studied with him briefly as a small boy.

1861

Death

He died in Edo. His wildly imaginative ideas and bold compositions were nearly forgotten for a time, but have recently been highly re-evaluated, and exhibitions of his work are hugely popular. His pupils sustained ukiyo-e and nihonga painting in the Meiji era.

What happened in this era

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Related people

Kawanabe Kyōsai

Others of the same period (Edo)

Mizuno TadakuniMatthew C. PerryPhilipp Franz von SieboldUtagawa HiroshigeTakashima ShūhanUdagawa YōanTokugawa NariakiEgawa Hidetatsu

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Based on facts found in textbooks and biographies. Uncertain points are marked as such.

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