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On'ami

Noh actor, third head of the Kanze troupe
Era: Muromachi period / 1398–1467 (about 69 years)
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The path they walked

1398

Born into the Kanze family

He was born the son of Shirō, younger brother of Zeami, and was named Motoshige. Raised in the Kanze troupe founded by his grandfather Kan'ami, he learned the dances and chanting of sarugaku from early childhood. He is thought to have been adopted by his then childless uncle Zeami, but Zeami later had a son of his own, Motomasa.

1427

Patronage from Gien

From his youth he was favored by Gien, a son of the shogun Ashikaga Yoshimitsu and abbot of Shōren-in, and enjoyed his support. This year he is said to have performed kanjin sarugaku with Gien's backing. Kanjin sarugaku were benefit performances to raise funds for temples and shrines, a great stage to show an actor's skill.

1429

Favor of the shogun Yoshinori

When Gien returned to lay life and became the sixth shogun, Ashikaga Yoshinori, Motoshige enjoyed his strong favor. His uncle Zeami and Motomasa, by contrast, were kept at a distance and even barred from performing at the palace. Within the same family, fortunes were sharply divided by closeness to the shogun.

1432

Death of Motomasa

Motomasa, Zeami's heir, died while traveling in Ise. Zeami grieved deeply and wrote that his art had lost its successor. This opened the way for Motoshige to inherit the Kanze art, though complicated feelings are thought to have remained between him and Zeami.

1433

Becoming the third Kanze tayū

He succeeded as Kanze tayū, head of the Kanze troupe, becoming the third Kanze tayū. That year he staged a grand kanjin sarugaku at Tadasugawara in Kyoto, attended by the shogun Yoshinori, making the new Kanze tayū widely known in the capital. With the shogun's backing, the troupe flourished.

1434

Zeami exiled to Sado

Zeami, past seventy, was exiled to Sado by the shogun Yoshinori, for reasons that remain unclear. As the uncle who had perfected Noh left the capital, Motoshige became the leading actor of the city, valued by the shogun. Their contrasting fates show how closely the performing arts were bound to power.

1437

Falling out of favor

He displeased the hot-tempered shogun Yoshinori and was kept at a distance for a time. Under Yoshinori, many people were punished for trivial matters. On this occasion Akamatsu Mitsusuke, a daimyo ruling Harima and other provinces, is said to have interceded and won his pardon.

1441

Present at the Kakitsu Incident

While he was performing the Noh play Ugoha at a banquet in Akamatsu Mitsusuke's residence, the shogun Yoshinori was struck down by Mitsusuke's men: the Kakitsu Incident. Having lost his great patron, Motoshige was left in a difficult position for some time.

1444

Holding the troupe together in hard times

Even in this difficult period without a patron, he is said to have kept the troupe going by staging kanjin sarugaku at reduced prices. He drew audiences by the strength of his art and strove to protect the Kanze name. This perseverance led to his later comeback.

1452

Valued by the shogun Yoshimasa

He won the favor of the eighth shogun, Ashikaga Yoshimasa, and was again given an important place by the shogunal house. Yoshimasa deeply loved the performing and fine arts and often enjoyed Motoshige's performances. The Kanze troupe once more became the most vigorous in the capital.

1458

Becoming a monk named On'ami

He handed the title of Kanze tayū to his son Masamori, became a monk and took the name On'ami. The name is said to combine Kanze with on, sound, echoing Kanzeon, the bodhisattva of compassion. Even after stepping down, he continued to appear on stage as a master.

1464

Acclaim at Tadasugawara

His son Masamori staged a great kanjin sarugaku at Tadasugawara in Kyoto, and On'ami played the lead in twelve of the twenty-nine pieces, watched by the shogun Yoshimasa. Around the same time he also performed before Retired Emperor Go-Hanazono, and the renga poet Shinkei praised him as the finest master of the age.

1467

Death in the year of the Ōnin War

He died in the year the Ōnin War began; his grave is said to be at Shūon-an in Kyōtanabe, Kyoto Prefecture. Unlike Zeami, he left no plays or treatises, but he is known as a master whose brilliant art captivated audiences and laid the foundation for the lasting prosperity of the Kanze school.

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Related people

Kan'amiAshikaga YoshimitsuZeamiAkamatsu MitsusukeAshikaga YoshinoriAshikaga Yoshimasa

Others of the same period (Muromachi)

Ashikaga YoshimochiAshikaga YoshinoriIkkyū SōjunAshikaga MochiujiIchijō KaneyoshiYamana SōzenNisshinUesugi Norizane

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Based on facts found in textbooks and biographies. Uncertain points are marked as such.

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